Sunday, October 3, 2010

t-t-twain


While Twain's battlecry against "literary offence" is both hilariously undersupported and plain old hilariously hilarious, I do agree with some of his claims against Cooper (and against literature as an art). That which struck me the most is when Twain said that " the personages in a tale shall be alive, except in the case of corpses, and that always the reader shall be able to tell the corpses from the others." If we are applying this quote to The Last of the Mohicans, it assumes another complexity, as most characters die in the end. What Twain seems to be implying is that each character must not just be a character, but a living, fully realized person. If a character is only in the novel to die, to teach a lesson to another or to act as a plot-device, that character should not exist at all. Alice, in the context of the plot, exists to die. Her relationship with Heyward affects no other characters, and her only main purpose in the novel is to act as a sort of "bait" for the pursuit. (Though she could be removed and the pursuit would still continue; that Cora is the General's daughter is enough to instigate the action). Even David, as simple and extraneous as he is, is an active participant in the plot, and causes other characters to react and change. (It is his singing that enthralls his captors and seems to stave off his demise).
One of Twain's more contrary statements is that "the characters in a tale shall be so clearly defined that the reader can tell beforehand what each will do in a given emergency." This seems too obvious to even discuss. What would be the point of reading at all! Yes, the characters should be well defined, and yes, the reader should believe that what a character does in an emergency bodes well with how that character has been presented, but if an author were to write a novel in which the reader can not only guess what the emergency will be, but what the character will do, he might as well call the art of story dead right then and there.

3 comments:

  1. You seem to note that a few of the characters who die are uneffective in the novel. Why do you think Cooper included them if they were so insignificant?

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  2. I really like your interpretation of the first literary offence. I wasn't entirely sure what Twain was getting at with it, but if it is indeed what you argued then it's a really great thought (albeit said in a round-about, crotchety old man kind of way. I agree that some of the characters felt unnecessary to the plot in some ways (this maybe ties into what Chelsea was asking) but I feel like Cooper is employing a stock character technique so that everyone, whether they're reading it for the history or the romance, will come away happy. He's got David to be the clown, there's multiple people playing the hero (and Uncas as tragic hero), you've got the women to bring the romance, and Magua to bring the villainy. There it is: romance, action, drama, and comedy, a little something to please everyone.
    (good work lil buddy!)

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  3. It's true if Twain's editorial were an essay, he would fail for lack of support. Not that he can't support his arguments -- he just doesn't in this text. I am a little confused though, because I read this a couple times (your post) and it seems that you've argued against what Twain said (WRT characters) because you point out examples where Cooper _does_ follow the rule (the characters you list have a purpose).

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